Indigo Palace-Nicey Ting
JP and Luke Warm- Supreme ft Dee93
Indigo Palace- Southside ft Proton
Text was vital to both my advert and newspaper article. For both of them, the text was the main bit that needed to be seen in order to understand the details such as times and dates. This tool being available was beneficial to my advert production and it allowed me to play around with various elements such as font, thickness, colour and size. Size really mattered in my advert as it highlighted the name of my documentary. The title was much bigger than any other text on the page, and other elements such as colour and underling helped identify the dates and times.
One final tool that was handy on Pixelmator was the effects tool. To use this, you had to click on a particular layer and picture/ text, and then apply the filter. From here you could then interpret the strength of the filter and also change how the effects are shaped. I used this with the the BBC logo that is in my bottom right of my advert. I put a light leak filter on it to help make the logo look a bit more alternative to reflect the vibrancy of the music documentary. By doing this, it illustrates to the audience that this isn't a conventional "dull" documentary that BBC show, rather that it is a interesting creative one that is not stereotypical.
Another scene I'd consider finished is the first day of me as film/producer following the band. Although each video is only 2-5 minutes long, I am yet to edit them all together and I believe that once they are collated together, the whole scene will come up to around 10/15 minutes, making up the whole of the first scene. This scene consists of an interview with Jocelin Francis, the producer for Indigo Place, and a brief description from both Dee and Jocelin as to who they are and what they do. Since it'll only be a 5 minute extract of the documentary, this will probably be the only scene where I will need to conduct an interview in a similar manner as that one.
The shots from the start to minute 0:17of the palm trees, the motor way and the aeroplane from a worms eye view, are creative and ascetically pleasing to the audience. It is a slow and smooth opening into a documentary, and it allows the to be ease into the documentary, rather than chucked straight into it, which could be overwhelming. Despite the fact that I've done an opposite thing in my documentary, that was only particularly for the "pre title scene". Once the actual documentary starts, the vibe of the documentary will become much smoother and less "in your face".
One feature I will certain use is the scene transitions where a black screen appears and the text saying "Act (what ever number act it is)" appears. This is a good idea as it helps split the scene in a simple but affective way and helps denote to the audience that a new scene is about to occur. Without this, it would cause confusion to the audience and would make it hard to follow exactly what going on. But by adding this feature, it provides structure to the documentary and helps it flow smoothly, just like how I want mine to run.
The captions/aston used every time a new person is introduced is another feature that I will use. I feel this is important to the documentary as it really helps establish everybody's role in the band/group. by adding everyone name, nickname and role in th group, it gives everyone equal importance, and does not undermine anyone who is presented. I want to do something similar as I feel everyone in the band has an important role in their won way, whether it be a singer, producer or a more business role.



The archive footage used in this documentary has a huge affect on the audience int his documentary. There are many real life videos of shooting, police brutality, violence and gun crime shown, which presumably are all from he same city and area that show and narrate exactly what the voiceover is discussing. The use of these types of archive footage is effetely as it helps the audience interpret and comprehend the severity of the situation at hand, and it proves the people watching that this isn't just a theoretical issue, but that it's happening right now and is a very serious regular occurrence.
A shot that is often seen in this documentary is the presenter of the documentary in amongst the natural situations. These normally come in the form of medium shots of the presenter standing within the large groups filled by the general public that have nothing to do with the documentary ing filmed. The use of these shots and placements are used to effetely show that they are getting first hand information as well as real life perceptions of how everybody in concern with matter sees it. This may also suggest that the presenter does have an opinion on the matter, and that he feels a certain way about, hence why he is in amongst the crowds, to show his support for the cause.
Personally interviews between the presenter and people from the general public are very common in this interview for a variety of reasons. There are often medium shots of the two participants in the same frame, talking to each other about the topic of gun crime, and questions are often asked in order to gain opinions. These particular random interviews that look spontaneous are used to to help the audience comprehend an interpretation from inside the issue, and allows us to see how those affected by it feel, and what they feel should be done. Adding features like this gives the documentary a more sentimental feel, causing the audience to really feel touched and empathetic for those who are experiencing this issue first hand.
Relentless Studios is located on Denmark Street near the train station Tottenham Court Road. I hope to film a time lapse of Denmark Street for the introduction of my documentary. I want to do this as it'll help to set the scene and allow the audience to understand exactly where they are. This will help me expand on the portfolio of shots I will use in my documentary, making it much more interesting as well as engaging. I will do this by one of two ways. One way is that I will simply just film a minute or two worth of video of streets near the areas, and then speed up the footage when it comes to the editing process. Or I may explore the features of my camera and see if there is a time lapse feature on it. 



